Terrine
Fondazione ICONS, Sudoco. Rejected proposal.
The wrong publications.
Manni Editore, Il sistema del Jazz.
Limonta Informatica, Lisa ERP.
Lisa Suite is a software designed for the textile industry, created with MOST Studio and developed by Limonta Informatica. The project resulted in the creation of a strong and cohesive brand identity. Alongside the core software, Lisa ERP, additional modules such as Lisa Quality, Lisa Lab, and Checklist were developed, all based on a unified design system that ensures a consistent and intuitive user experience.
Fondazione ICONS, AIR4NRG.
AIR4NRG is a project funded by the European Union, focusing on the research and development of advanced air isothermal compression technologies. The goal is to enhance long-term energy management efficiency while reducing the environmental impact of storage systems.
In collaboration with Fondazione ICONS, the project’s visual identity was created with a design concept rooted in the idea of energy storage through compression and release through expansion. The result is a dynamic visual language where elements shift in size and volume, illustrating the energy flow in an engaging way.
Reality is_, Digital portfolio.
Two booklets recount the personal and professional life of Jim Clark, one of the greatest Formula 1 champions of all time.
The first, a typographic booklet, draws inspiration from concrete and Dadaist poetry compositions.
The second, a photographic booklet, takes cues from pulp films and Western comics, adopting their eye-focused framing and bold use of onomatopoeia.
LELAND DID IT, Hotel moderno.
The artwork for Hotel Moderno, the second album by Leland Did It, explores the theme of mental well-being. The cover serves as the central image, from which all other visuals on the packaging are derived. These are fragments, alterations, and distortions of the original, evoking the partiality and subjectivity of personal perspective.
Jim Clark, Life in rush.
Two booklets recount the personal and professional life of Jim Clark, one of the greatest Formula 1 champions of all time.
The first, a typographic booklet, draws inspiration from concrete and Dadaist poetry compositions.
The second, a photographic booklet, takes cues from pulp films and Western comics, adopting their eye-focused framing and bold use of onomatopoeia.